--- schema_version: 1 id: heirloom-weave-ledger name: Heirloom Weave Ledger summary: An original initials monogram, cream-and-green century ledger and tactile accessory worktable connect archival craft with a live personal mark. family: tactile tags: [luxury, archival, handmade, warm, product-led] best_for: [craft, products, commerce, culture] avoid_for: [data, documentation] density: sparse image_dependency: medium motion_level: subtle complexity: medium signature: composition: A follows a century through four spacious chapters beside a sticky changing archive stage; B is a portrait object collection followed by a personalisation worktable. typography: Local Newsreader regular and true italic at 400, paired with narrow tracked Jost labels and practical body text. navigation: Quiet house and collection links, four native decade anchors and one outlined personalisation action. content_rhythm: A monogram and one object, four generations of craft, a personal mark and useful care disclosures. imagery: Two rights-documented CC0 museum photographs and original folio and silk-square SVG drawings, with no claim that historic objects belong to the invented house. color_and_material: Cream paper, deep forest-green ink, warm brown archive numerals and flat leather colour; fine interlaced rules replace noisy distress. interaction: Initials generate glyph-and-line monograms in real time; thread colour and placement alter the actual SVG accessory before an accurate local summary. motion: The opening monogram settles in 1.6 seconds; native scroll changes decade, object and emblem frame; reduced motion keeps all choices immediate. status: ready prompt_path: prompts/heirloom-weave-ledger/prompt.en.md --- # Heirloom Weave Ledger ## Intent Heirloom Weave Ledger presents an invented craft house through memory, material and a personal mark. Esvérane has a fictional century narrative and a small original accessory collection. Visitors can follow the house story or inspect objects, then create an initials treatment on a demonstration folio. The museum photographs are historical craft illustrations, not products made or owned by the fictional house. The direction suits heritage workshops, accessories and careful material-led services, without invented endorsements or real purchasing. ## Signature Preserve five invariants: a large original monogram beside one genuine archival object; cream paper with forest-green ink and warm brown; a classical serif with true italic and narrow tracked labels; four century chapters that change a nearby object and monogram frame; and an initials, thread and placement worktable. A is a story through time. B is a portrait collection leading directly to a personalisation task. Neither uses a generic hero, feature grid and testimonial stack. ## Typography Local Newsreader 400 provides the house name, headings and large years. A separate real italic face supplies the second phrase of campaign headings and alternate letters in the monogram. Jost 400 carries practical text and small uppercase labels with two pixels of tracking. All three WOFF2 files are OFL subsets with Lithuanian letters and full adjacent license texts. Body text is 16–17 pixels. Ordinary headings remain 30–54 pixels; the opening statement reaches 74 pixels on desktop and wraps deliberately at 44 pixels on phones. ## Color and surfaces Cream paper supports deep green-black text. Forest green marks the house emblem, selected decade, primary action and closing band. Warm brown belongs to years and archive labels. The personalisation table has a slightly deeper paper ground; the original folio has flat leather and seam colours. Thread choices are green, brown and wine, accompanied by labels and native radio states. Thin rules establish the ledger. There is no distressed paper overlay, decorative gold wash or universal rounded-card treatment. ## Layout A The first screen pairs a century statement with a large generated monogram and one silk archive object. A quiet native link opens the ledger. Four decade links sit above an asymmetric spread: a sticky image-and-emblem stage on the left, long chapters on the right. Scrolling selects 1926, 1956, 1986 or 2026, changing the object, caption and emblem frame. The first two objects are clearly dated historic illustrations; the later ones are original drawings. The personalisation worktable and care disclosures form a useful service ending. ## Layout B A collection opening presents the original folded folio against the same large monogram language. Three portrait studies then distinguish a personalisable folio, an original silk-square pattern and historic gloves used only as a craft reference. There are no invented prices or purchase buttons. The worktable follows directly, so a visitor can inspect an object and create a mark without reading the century narrative. Native care disclosures explain the demonstration items and the limits of the local service. ## Imagery Two museum collection records identify the silk purse and leather gloves as public domain; the official API independently returned isPublicDomain true. The museum Open Access policy supplies CC0 for these photographs. Both are converted to small local WebP with metadata stripped, and their actual approximate dates remain in captions. The folio and silk square are original MIT SVG drawings. The live preview uses the original folio geometry, never a falsely personalised museum photograph. Asset records and RIGHTS.txt retain provenance, authorship and transformations without external reference-page links. ## Navigation and interaction House, collection, decade and worktable links are visible and native. The monogram generator uses one to three supported letters, interleaving regular and italic glyphs with checksum-dependent crossed rules and a round or diamond frame. Initials, thread and placement immediately change the actual live accessory SVG and its accessible description. Submission validates supported Latin or Lithuanian initials and a demonstration acknowledgement. The summary reports the exact initials, thread colour and location, explicitly saying no order, transmission or payment occurred. Editing hides an obsolete confirmation; reset restores ES, green and center. ## Motion A finite opacity and position episode introduces the monogram over 1.6 seconds and stops. Pause preserves progress. Reduced motion shows the complete final artwork immediately, while manual choices and native scrolling remain useful. Offscreen and hidden-document handling suspend the episode. Pagehide cancels animation, disconnects both observers and removes preference and visibility listeners. The ledger uses intersection observation rather than scroll-jacking or a continuous animation loop. No WebGL, audio, external library or network runtime is involved. ## Responsive behavior Desktop keeps a large asymmetrical opening and a true sticky ledger spread. At tablet widths the text and visual columns reduce their gap while retaining a readable measure. On phones the opening shows the monogram and object first, followed by the short century statement. The ledger becomes a compact sticky object-and-caption stage above chronological chapters; enough reading area remains below it, and decade anchors allow space for the stage. Decade links remain keyboard and touch targets. Collection portraits stack, and the live preview moves above the full-width form controls. ## Accessibility Use one page heading, a skip link, visible focus and native input, radio and disclosure controls. The generated mark has an updated accessible name, and the accessory description reports its initials, thread and placement. Active decades expose aria-current. Errors focus the relevant control; confirmation is announced and focused. Unsupported input remains visible for correction while the preview retains the last valid mark. Photographic alternatives describe actual objects and distinguish them from the original drawings. Validate ink, thread and control contrasts against their semantic paper surfaces. ## Adaptation Replace the fictional timeline with verified owner history; do not manufacture a long tradition for a new business. Use licensed historical material only as illustration unless ownership and provenance are known. Keep the glyph-and-rule generator original instead of imitating a real luxury monogram. A production personalisation workflow needs verified materials, placement constraints, pricing and a deliberately authorised backend. The collection and the century route may share the same worktable while preserving their different visitor tasks. Keep the service useful when motion is disabled. ## Avoid 1. Do not turn the ledger into a botanical specimen sheet with decorative plant taxonomy. 2. Do not substitute a vertical book spine and edition shelf for the changing century spread. 3. Do not imply that a museum object was made by, belongs to or can be bought from the fictional house. ## Closest styles Botanical Engraving is a specimen story and classified plant cabinet with fine illustrated plates; this direction uses a changing century spread, actual archive objects and a live initials service. Spine Editions is a publishing shelf and excerpt reader with a persistent reading list; this direction uses a large interlaced monogram, tactile accessories and an unsent personalisation summary. Structural visitor tasks, typography, materials and interaction distinguish all three even under a neutral craft brief. The shared cream-and-ink palette alone does not establish identity.